Working With Gongs - Part 2

Further YouTube adventures. This time looking at different Gong types:



~ MB

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Tam Tam vs Gong

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I can't tell you how many times this argument of "A tam tam is not a Gong" comes up. It came my way no less than 3 different times this week. Actually, 'tam tam' (also tam-tam) was 1st used in symphonic music back in the 1800s to differentiate a flat faced Gong from a Gong with a raised center 'boss.' (There is no definitive answer as to where the term tam tam originated - some say it's Chinese, some say it's Hindi, still others say it's something else…) To add to the confusion, 'tam-tam' is a term often used for either an   African  djembe or talking drum. When a score calls for a 'tam tam' (like Messiaen’s 'Et exspecto resurrectionem mortuorum' or various works of Richard Wagner), then a flat faced Gong, like a Chinese Chau, is used. Flat Faced Chinese Chau Gong/Tam Tam When a score calls for a 'Gong' (like Puccini’s 'Madame Butterfly', or 'Turandot'), then a bossed Gon
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