Percussion Deconstruction™

First off, I must admit that I'm a total percussion nerd. I love all the different instruments. I love playing them, but I also love working on them. I get great satisfaction in taking drums apart and putting them back together again. And with this in mind, I have to say that I like to have the best quality and best sounding gear I can. But as much as I love all the instruments I've collected over the years, I try not to get too attached to them for making the music I do. Like most percussionists, I bring my own instruments whenever it's possible. This is always preferred, but with the difficult logistics of traveling with hundreds of pounds of often very large pieces of gear in cases, it's not always possible to bring your own instruments. This is especially true when flying. Unless you are independently wealthy, the cost of flying percussion instruments is prohibitive. That's why I don't get too attached to the need to have my own instruments whenever I play

My artistic career had come to a crossroads in the mid-1990s when I felt both a lack of direction and motivation. Then, in 1997, I came across a book called, The Artist's Way, by Julia Cameron. In the midst of the 90's  self-help craze, this was a book all about artistic self-help . The book is a 12-week course on recovering, and jump starting, your artistic ability/career. Each chapter covers a different aspect, giving you affirmations, practical advice, and exercises to do during the week. It doesn't teach you how to be creative, but how to access and nurture your innate creativity. My well worn copy of The Artist's Way One exercise Cameron recommends is morning pages . Each morning when you get up, sit down and write out 3 pages—long hand is preferred to typing—of whatever comes to mind. It's a sort of stream-of-consciousness brain dump diary. I was faithful to this at first, filling up a whole filing cabinet of notebooks, but eventually felt that it was