Looking at Percussion through a radical eye, while shaking off the cliches of our instruments, and seeking the danger within all things…
"No great art has ever been made without the artist having known danger."
~ Rainer Maria Rilke
Working With Gongs - Part 2
Further YouTube adventures. This time looking at different Gong types:
I've been hanging out in California for almost 2 weeks. In that time I've been to the ocean, I've been to the mountains, and I've been to the city. In each case, I've spent a lot of time listening to the sounds around me and absorbing the rhythms. There is so much we can learn from our surroundings just by paying attention. How often do we just go through our day giving little regard to the natural things happening around us?
Oceans of rhythm I spent this afternoon at the beach, walking in the surf, listening to the waves crashing, paying attention to everything going on around me. I heard new and different rhythms. I felt new and different impulses in my nervous system. I learned from the wind and waves things that I can bring back to my music. I learned things you can never find in books.
Wherever you live: ocean, desert, forest, or city, take the time to listen to the world around you and absorb the sounds and rhythms.
Today is all about the duo. I was scheduled to play twice today, at 3pm with trumpeter Scott Tinkler, and at 5:15 possibly with another artist from the fest. But as things went, on Saturday, I ran into Taiko drummer Yyan Ng in the green room. He was excited to meet and we had a great time chatting. He was scheduled to play a short performance Sunday morning and asked if I'd be interested in playing with him. Of course I said, “Yes.” So a call was put out to Shelley to see if we could do it. It was heartily approved and we both went off to our Saturday performances excited about the duo performance tomorrow.
Sunday's schedule showing the amazing variety of performances going on. Not shown
are some of the pop up performances and changes, like the Taiko/Gong duo. Yyan and I talked a little, but not really about what we would do. We talked more about who we were and what our backgrounds were. We had both started out as drum set players, before expanding into our …
Much as we speak, each of us has our own musical language. In this second part on Improvisation, I'm going to look at what makes up my musical language. These are the ideas that I use to create what is a very personal view of music. You may use some of the same, or you may use completely different ideas. But this is what works for me.
The 3 Point Method In art, color can be broken down into 3s: Additive Color uses red, yellow, and blue (the primary colors) to create all other colors. Subtractive Color (like your home printer) uses yellow, magenta, and cyan to create all other colors. Then there are the 3 attributes of lightness, saturation, and hue that further affect color.
In Euclidean Geometry we have the point, line, and plane. In real life, we have the point where we are, and then also up & down, left & right, in & out, etc. So too in music, many ideas can be broken down into 3s. While this is all a simplistic explanation, it serves the purpose of denoting that we o…